Ewql east west quantum leap voices of passion

#Ewql east west quantum leap voices of passion pdf
#Ewql east west quantum leap voices of passion mod

The same holds true for the Indian and Bulgarian singers. Instead of performing actual words, the Syrian ladies, for example, intone a series of pitched phrases that 'sound' real - at least to Western ears. Female singers from America, Bulgaria, Syria, and Wales were tracked, and EW made some very interesting decisions. The amount of attitude is in fact the strength of VOP and, in a sense, its limitation. That's how much personality these performances capture. I almost jumped out of my seat the first time I instantiated this library and played a note. Three words: Evocative, fascinating, and unique. While obviously geared for video and movies, the vocals are great for replacing that clichГ©d diva sound used in a lot of trance music, as well as for any kind of chill.

#Ewql east west quantum leap voices of passion pdf

Print out the PDF manual-lots of options are hidden in those presets. There are also presets with individual articulations, and some with true legato. Although initially it seems there are only a handful of presets, the 'master' ones use keyswitching to access multiple articulations. The Welsh vocal 'phrase generator' is cool, too. Another is you can use the left, right, or both channels of a vocal (different channels use different mics) but if you use only one, you can synthesize a stereo spread.

#Ewql east west quantum leap voices of passion mod

There are also interesting tricks, like assigning mod wheel to sample start point-start anywhere within a phrase. They play back through EastWest's Play engine (32/64-bit, Windows/Mac, ASIO/Core Audio, VST/AU/RTAS) which itself is pretty cool, with convolution reverb, delay, artificial double tracking (chorus), amplitude envelope, and lowpass filter. To elaborate, these are superbly-recorded 'ethnic' samples from Bulgaria, Syria, India, Wales (think Enya), and America (which tend toward more multisampled notes rather than idiosyncratic phrases). All in all, a very varied and colourful 7.3GB collection of expressive, finely performed and beautifully recorded solo female vocal performances, all patiently waiting their chance to make it onto the soundtrack of Gladiator 2 ('just when you thought it was safe to go back into the arena'). The deliveries comprise a choice of simple and evolving vowel sounds, short ultra-breathy 'ahs', hums, crescendos and drifting-pitch sustains (good for spooky cluster chords).